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Bojan Louis

He // Him // His

Poet and Writer

Tucson, Arizona

A man with long, wavy dark hair stands in front of a natural landscape with a palo verde tree and other bushes. He looks into the camera with a serious expression.

Photo by Sara Sams. 

My work originates in the fragmentation of my lived experiences and the hallucinations that those fragments bring. Each fragment is a conductor, the conductors circuits, the circuits an ecosystem. Those ecosystems are what make up my stories and poems.”

Bojan Louis is Diné of the Naakai dine’é, born for the Áshííhí. He is the author of the short story collection Sinking Bell (Graywolf Press, 2022), the poetry collection Currents (BkMk Press 2017), and the nonfiction chapbook Troubleshooting Silence in Arizona (The Guillotine Series 2012). His work can also be found in Shapes of Native Nonfiction: Collected Essays by Contemporary Writers, When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry, Native Voices Anthology, and The Diné Reader: An Anthology of Navajo Literature. His honors include a MacDowell Fellowship, a 2018 American Book Award, a 2023 National Endowments for the Arts Literature Fellowship, a 2023 American Book Award, and a 2023 Southwest Book Award. In addition to teaching at the Institute for American Indian Arts, Louis is an associate professor in the Creative Writing MFA and American Indian Studies programs at the University of Arizona.

Donor -This award was generously supported by Poetry Foundation.

This artist page was last updated on: 01.30.2025

IV

Haven’t taken it to the head for a minute on another
three day bender. Slept past sunrise. And then another. 

The bed has softened over the years, the stoop steps chipped.
Shanties clog memory: was it your most recent love, or another? 

Bangladesh is continually interrogated by floods, you tell me. 
Your reflection a mist; the mist a shadow; the shadow some other. 

Cracked clay riverbeds sound like a cross between square and
saw tooth waves. Always, we want the frequency to be another.

Late last night the house made a drawing of itself: bones, skin, 
and a hat. It preferred famine over feast. Liar. It consumed another. 

Dear Sound Wave, while sobriety arpeggiates, is reshaped by blurring
filters don’t think too much of any of us. This dissonance becomes another. 

Poem by Bojan Lewis.

V

Each year cool monsoons | show up hot with tension and | startles the desert.
Many of my friends | addicts and recovering | are soundless deserts.

A lightning struck tree | beware of its falling ash | the bright ochre sun.
The O’odham knew | an ancient sea receded | leaving the desert.

Shima saní says | Listen. Presses a buck knife | into my young hand.
Cut a yucca spike | the bayonet end won’t hurt | like summer deserts.

After years away | I came back to a ravine | filled with dead needles.
White skunk skeletons | under the crisp winter moon | the high dry desert.

I love this odd man | whose hometown burnt to the ground | ash—capitalism.
Where suffering is | accelerants devour | a pine-coned desert.

Why grow so high son | ‘ama saní asks—do not | forget your loved ones.
Their dried veins or scars | tended livestock or blind debt | loquacious deserts.

Poem by Bojan Lewis.