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Caroline Kent

She // Her // Hers

Expanded Painting Practice

Chicago, Illinois

A woman with brown skin and shoulder-length black hair stands posed against a reddish-brown fence. She smiles with the sun hitting her face and wears a colorful blouse with red flowers.

Photo by milo bosh.

I allow my work to move past conventional boundaries, reaching beyond the confines of the canvas and connecting with other subjects, such as film, writing, and theatre. Painting is not a means to an end but a beginning.”

Caroline Kent was born in Sterling, Illinois, in 1975 and currently lives in Chicago. Kent received a BA from Illinois State University and an MFA from the University of Minnesota. From 2000–2002, she lived in Alba Iulia, Romania, as a Peace Corps Volunteer. She is an Assistant Professor in the Art, Theory, and Practice department at Northwestern University. Kent’s practice explores the limits of language and the process of translation through an expanded painting practice. Her practice developed through an open-ended archive of improvisational works on paper; the paintings built out of this context exist in multiple forms, including drawings, sculpture, and performance. She labors to expand the discourse of modernist abstraction by questioning how language might operate in unknown and ever-evolving conditions. The work moves from surface and frame to environment and architecture through acts of translation from one medium to the next.

Kent has received grants from the Pollock-Krasner Foundation, The McKnight Foundation, and Jerome Foundation. She was a 2020 Artadia Chicago Awardee and a 2021 Joyce Alexander Wein Prize recipient from the Studio Museum in Harlem. Recent exhibitions include La Trienal at El Museo del Barrio, NY, and Ancestral at the Museum of Brazilian Art (M.A.B.), Sao Paulo, Brazil. Kent has shown at the Solomon R. Guggenheim Museum, MoMA, MCA Chicago, the New Orleans Museum of Art, The Art Institute of Chicago, Hill Art Foundation, BAMPFA, the Queens Museum, and the Walker Art Center.

Donor -This award was generously supported by Good Chaos.

This artist page was last updated on: 01.30.2025

A vertically-oriented large scale painting. The composition is made up of neon-colored geometric shapes interlocking with a black background. From first glance the shapes appear flat and graphic, but on closer inspection there is a world of textures and patterns. The canvas is framed on each side by cutouts into the wall that mirror shapes from the painting.

Installation view of This space for correspondence by Caroline Kent, 2023. Casey Kaplan gallery.

Photo by Casey Kaplan gallery.

A horizontally-oriented rectangular abstract painting. Moving left to right, one-third of the painting's composition is a black background with a black cutout and a green painted shape that together look like an abstract green hand in a black shirt sleeve. Moving to the center and right of the painting; two-thirds of the composition has a raw linen background with floating shapes overlapping and interacting with one another including a brown trapezoid on top of an acute red triangle, a pink many-sided polygon, and a lemon-yellow “X.”

Tip toeing through hallways, a waltz of secrecy by Caroline Kent, 2024. Acrylic on Belgian linen, resin and paint inlay, ebonized walnut, 30 × 36.25 × 2 inches.

Photo by Casey Kaplan gallery.

A vertically-oriented large scale painting. Abstract objects resembling teal-colored hand fans flutter around yellow ribbons that bend, fold, and twist around the canvas on a dark background. The background oscillates between black and many shades of purple, occasionally revealing squiggly lines resembling cursive.

Sometimes within the equation, is something that only the heart can understand by Caroline Kent, 2023. Acrylic on unstretched canvas.

Photo by Casey Kaplan gallery.