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David Harper Clemons

He // Him // His

Metalsmith and Multidisciplinary Artist

Bakersville, North Carolina

A bald Black man with glasses stands with his arms crossed in front of a wall with colorful hand-printed posters and a cut-out of a black face shape with white lines describing the features.

Photo by Thomas J. Condon.

My practice embraces the craft of metalsmithing and its collected history of techniques and objects to physically communicate ideas I am exploring. Metal and mixed media objects, whether one-of-a-kind works, singular utilitarian wares, or production runs, tend to be split along two main poles: social commentary pieces and processed based work.”

David Harper Clemons was born in El Paso, Texas, and spent much of his life in Austin. His  early interests in the arts were inspired and encouraged by the craft work of his grandfather Alex Harper Jr., a custom stocksmith in San Antonio. Many mentors, including Deborah Roberts, graciously offered their expertise in guiding Clemons. 

Initially, Clemons began his undergraduate career attending Tulane University in New Orleans, Louisiana, pursuing programming in Biology and Art. He attended the program for just under two years before returning to Austin to complete his BFA at the University of Texas in Austin, with a primary emphasis in painting. His focus shifted to object-making and ultimately, under Helen Shirk, he earned his MFA in Metalsmithing from San Diego State University in 2007. He then taught in the art department at the University of Arkansas in Little Rock, Arkansas for ten years. During eight of those years, he developed and headed the Metalsmithing and Jewelry Department.

Clemons presently lives and creates work in Penland, North Carolina. His work embraces the craft of metalsmithing and its collected history of techniques and objects. The resulting works rendered in metal, mixed media, and handmade artist books are vehicles to communicate ideas surrounding identity and social commentary, or forays into material and process-based work. Clemons has work included in the collections of the Arkansas Art Center, National Ornamental Metal Museum, Yale Contemporary Craft Collection, and the Renwick Gallery.

Donor -This award was generously supported by Windgate Foundation.

This artist page was last updated on: 01.30.2025

A brooch shaped like a watermelon with vines and leaves along the edges made from sterling silver with horizontal darker bands of nickel silver, photographed on a black background. A central oval opening in the brooch frames three gold seeds in a row on top of balls of human hair.

Passengers No. 1 Watermelon (ongoing series) by David Harper Clemons, 2024. Sterling Silver, Nickel Silver, 18-karat yellow gold, human hair, 3 × 1.5 × .5 inches.

Photo by Loam Marketing.

Two identical heart-shaped metal medallions hang from black ribbons in front of a white background, photographed so as to show both the front and back. Both sides have a bronze shield with a sword bordered by a line of fig leaves. The back of the piece is inscribed with the words, “For merit in the battle of existing.” The front has a heart-shaped opening in the middle that frames a black-and-white drawing of the pillows and sheets of a downturned bed.

Black Heart No. 1 (of 12) by David Harper Clemons, 2024. Copper, brass, enamel, ribbon, 18 × 6 × 2 inches.

Photo by Loam Marketing.

Four framed images of text are arranged in a grid pattern. The upper left and lower right images in the grid have red backgrounds imprinted with tennis shoe footprints, tire tracks, and gravel. The red text on the top left image reads, “He dreamed of a career as an electrician and of owning his own construction company.” The red text on the bottom right reads, “He was fond of sweets and requested his mother’s fudge cake for his birthdays.” The lower left and upper right images in the grid have a pattern of black, red, and gray printed text on white paper. The text on the bottom left image reads, “Running Beware Black.” The text on the upper right image reads, “Running While Black.”

Running No. 1-4 (of 6) by David Harper Clemons, 2024. Letterpress print, laser-etched acrylic, cast plaster, acrylic paint, 17 × 15 × 2 inches.

Photo by Loam Marketing.