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James, a Black man with shoulder-length dreadlocks and a beard looks into the camera. His hand grazes his face, and he wears black wire-framed glasses, a white shirt, and a blue jacket.

Photo by Jauhien Sasnou.

Artists

James Allister Sprang

He // Him // His

Multimedia Artist

Philadelphia, Pennsylvania

James Allister Sprang’s work combines elements of photography, sound, and installation, existing in gallery spaces, theater spaces, and the space generally found between the ears, to tell sensory poems for the spirit. The son of Caribbean immigrants and originally from Miami, Sprang weaves together the sounds and images of his ancestral past with the present in a multimedia practice of creative patience and deep listening. This work is informed by the Black interior as well as radical and experimental traditions.

A graduate of the Cooper Union (BFA) and the University of Pennsylvania (MFA), Sprang has completed numerous residencies domestically and internationally including Shandaken, YoungArts, Baryshnikov Art Center, The Public Theater, BHQFU, Fountainhead, and The Kitchen. He has shown and performed at The Brooklyn Museum, PAFA Museum, Storm King Art Center, The Public Theater, Baryshnikov Art Center, The Kitchen, The Apollo Theater, Pioneer Works, On The Boards, Knockdown Center, and The Painted Bride Art Center.

Donor -The Knight Arts + Tech Fellowship is supported by the John S. and James L. Knight Foundation.

This artist page was last updated on: 07.31.2024

A person with long braids, glasses, and a black jacket holds a sheet of paper and stands in front of a large projection which fills the frame. The projection shows dozens of layered black words of varying sizes against a white background, forming obscured blocks of text.

Turning Towards a Radical Listening by James Allister Sprang, 2019. Spatialized sound and lecture performance, 70 minutes. Presented at The Kitchen.

Photo by Paula Court; courtesy of the artist.

In a darkened theater, a projection of a kneeling monochrome person in a dress gazing upwards against a hazy saturated blue and purple background. The silhouettes of two heads watch the projection screen on stage from the audience, and a blue light illuminates the edge of the stage.

Aquifer of the Ducts by James Allister Sprang, 2020. Sound and projected video, 47 minutes. Commissioned by FringeArts.

Courtesy of On the Boards.

Small light blue, navy blue, and white patterned squares of varying sizes make up a print made from strips of various line drawings and brush stroke images woven together in a tight irregular weave.

Blues Are for Mending (detail) by James Allister Sprang, 2021. Woven cyanotype, 27 × 24 inches.

Courtesy of the artist.