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Jamie Okuma

Beadwork and Fashion Artist

La Jolla Indian Reservation, California

Jamie, a Luiseño, Shoshone-Bannock, Wailaki and Okinawan woman with her hair drawn back, sits behind an elaborately beaded cradleboard with her left arm resting slightly on it. The cradleboard is decorated with Japanese and American pop culture images and text that says "That's not Indian."

Photo by Cameron Linton.

Beyond visuals, my work is wholly culture based. Whether it be by design, materials, fabrication, construction, or intent, it is instinctual and a constant presence, consciously and subconsciously.”

Jamie Okuma is a Native American artist practicing in multidisciplinary fields of art with an emphasis of beadwork. Okuma is an enrolled member of the La Jolla Band of Luiseño (Mission) Indians, and she is tribally Luiseño, Shoshone-Bannock, and Wailaki from her mother's side and Okinawan from her father's side. Her culturally embedded art practice began as a child while attending the Fort Hall Festival on the Fort Hall Indian Reservation, Idaho, where she entered her first art show at the age of six. After high school, she took an art class at Palomar Community College and later attended the Institute of American Indian Arts in Sante Fe, New Mexico. Since then, her work has been published and exhibited around the world. She has won multiple awards from The Southwestern Association of Indian Arts and The Heard Museum Art Market and in 2019 was the recipient of the Knudsen Prize. Okuma currently works and resides on the La Jolla Indian Reservation with her husband and two young sons.

Donor -The Maxwell/Hanrahan Awards in Craft are supported by the Maxwell/Hanrahan Foundation.

This artist page was last updated on: 08.20.2024

A male figure wearing red, black, and white feathers and ribbons stands mid-action. He is on tiptoe, with his right leg raised off the ground. In each hand he holds identical thin, cylinder-shaped objects that have tassels on one end and feathers on the other.

Fancy War Dancer by Jamie Okuma, 2011. Mixed-media sculpture, 24 inches.

Photo by Cameron Linton.

A black leather square with small nails extruding from each side portrays a beaded image of Pinhead’s head, a character from <em>Hellraiser</em> who has gashes and pins sticking out from all over his pale face. The square acts as a pendant of a chain hung on two thin metal poles that are wrapped in barbed wire.

Becoming by Jamie Okuma, 2022. Antique glass seed beads beaded onto brain tanned deer hide, metal nail heads, Italian leather, chain. 10 × 10 inches.

Photo by Cameron Linton.

A pair of knee-high boots with stiletto heels stand next to each other. They are completely covered in colorful small beads. Each boot depicts a long-legged elk, is mostly light blue, and has designs on each foot.

Elk Boots by Jamie Okuma, 2018. Antique glass seed beads beaded onto Giuseppe Zanotti platform boots, size 37.

Photo by Cameron Linton.