Jordan Nassar (b. 1985, New York) creates hand-embroidered pieces that address the intersection of craft, ethnicity, and the embedded notions of heritage and homeland. Treating traditional craft more as medium than topic, Nassar examines conflicting issues of identity and cultural participation, using geometric patterning adapted from symbols and motifs present in traditional Palestinian hand embroidery. Meticulously hand stitching colorful compositions across carefully mapped-out patterns, he roots his practice in a geopolitical field of play characterized by both conflict and unspoken harmony.
His work has been featured in solo and group exhibitions at institutions including the Orlando Museum of Art; Center for Contemporary Art, Tel Aviv; Princeton University Art Museum; Museum of Arts and Design, New York; and the Katonah Museum of Art in Katonah, New York. Recent notable exhibitions include Making Knowing: craft in Art, 1950–2019 at the Whitney Museum of American Art in New York, the Asia Society Triennial “We Do Not Dream Alone” in New York, and The Field Is Infinite, a solo exhibition at KMAC Museum in Louisville, Kentucky.
Nassar is represented by James Cohan, New York; Anat Ebgi, Los Angeles; and The Third Line, Dubai.