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Artists

Kristina Madsen

Furnituremaker

Southampton, Massachusetts

Kristina, a white woman in a dark blue shirt and earrings, sits in front of her tool chest and looks at the camera.

Photo by Kathy Tarantola.

My work embodies the three distinct and enduring lineages of my mentors, woven together in my mind and by my hands.”

Kristina Madsen is a furniture maker whose mother instilled in her a passion for meticulous handwork and a profound appreciation of quiet concentration. At age nineteen, Madsen became a student of British master craftsman David Powell at the Leeds Design Workshop in Easthampton, MA. After four years of training, she taught part-time while establishing her furniture-making business in Southampton, MA. She was an Artist-in-Residence at the University of Tasmania in 1988. In 1991, she received a Fulbright Grant to study wood­carv­ing in Fiji under woodcarver Makiti Koto's guidance, where she learned the skill of freehand intaglio carving. She has subsequently used this carving technique to enliven the surfaces of her furniture. She has received fellowships from the Massachusetts Cultural Council, the New England Foundation for the Arts, and the National Endowment for the Arts. She is the 2020-2021 recipient of the Furniture Society Award of Distinction and a 2022 Fellow in the American Craft Council College of Fellows. Madsen's furniture is held by art museums and in private collections nationwide.

Donor -The Maxwell/Hanrahan Awards in Craft are supported by the Maxwell/Hanrahan Foundation.

This artist page was last updated on: 08.20.2024

A reddish-orange four-doored cabinet with a poppy landscape carved on its surface sits on a coffee-colored long, slender table. Both the cabinet and table have a serpentine front and textured line designs on their surfaces.

POPPY CABINET by Kristina Madsen, 2019. Cabinet: maple, milk paint, gesso; base: bubinga, 56 1/2 × 60 × 21 inches.

Photo by Kathy Tarantola.

Two patterned black cabinets stand next to each other. They are mirror images of each other, with white zigzag and wavy designs decorating their surfaces. Both are composed of three curved vertical doors, with the tallest door in the middle flanked by two doors that are smaller and equal in width and height. Each cabinet rests on a six-legged stand.

The BELLE CABINETS by Kristina Madsen, 2013. Cabinets: maple, milk paint, gesso; base: wenge, 66 × 36 × 15 inches.

Photo by Stephen Petegorsky.

A three-quarter view of a compact two-door rectangular cabinet resting on a stand. The cabinet has carved interlaying circular designs that look like red eclipses over toothy gray patterned spirals.

CABINET ON STAND by Kristina Madsen, 2011. Cabinet: bubinga, gesso; base: Indonesian rosewood, 47 × 22 × 13 inches.

Photo by David Stansbury.