“I am exceptionally grateful for this special honor from United States Artists recognizing my work creating platforms for artists. It has been an incredible privilege to collaborate with so many incredible artists over the years and I’m thrilled to be included in a group of extraordinary cultural workers, a few whom have inspired my own practice.”
Maori Holmes is a curator, filmmaker, and cultural worker. She works to uplift the fullness of Black, Brown and Indigenous expression. Holmes founded BlackStar Film Festival in 2012 and serves as Chief Executive & Artistic Officer for BlackStar Projects.
As a leader within arts, culture, and media spaces in the United States, her approach is defined by passion, rigor, and a deep commitment to equitable social transformation. Her multiple forms of cultural organizing are an act of worldmaking, in which the intricacies of pleasure, beauty, struggle, indeterminacy, and grief, help us imagine and fashion another way forward. She has curated several group exhibitions as well as organized a myriad of programs in film, music, and performance for almost two decades. Her first museum show, Terence Nance: Swarm, opened in March 2023 at the Institute of Contemporary Art in Philadelphia.
As a filmmaker, her moving image works as a director have screened internationally, and she has produced narrative and documentary projects. She hosts the well-received podcast Many Lumens, and her writing has most recently appeared in Seen, Documentary Magazine, The Believer, Film Quarterly, Pleasure Activism: The Politics of Feeling Good, How We Fight White Supremacy: A Field Guide to Black Resistance, and Collective Wisdom: Co-Creating Media Within Communities Across Disciplines and Algorithms. She holds a BA in History from American University and an MFA in Film from Temple University. Holmes has served on several boards, including American Documentary and Asian Arts Initiative, and is currently Mediamaker-in-Residence at the Annenberg School for Communication at the University of Pennsylvania.