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Rashaad Newsome

He // Him // His

Interdisciplinary Artist

Oakland, California

Rashaad, a Black man with brown eyes, a bald head, a neatly trimmed black beard, and a black t-shirt, looks directly at the camera. Next to and behind him are two ornate framed artworks.

Rashaad Newsome draws from diasporic traditions of improvisation, advertising, the internet, art history, and Black and queer culture to produce counter-hegemonic work that walks the tightrope between creative computing, social practice, abstraction, and intersectionality. Collage acts as a theoretical, conceptual, and technical method to construct a new cultural framework of power that celebrates Black contributions to the art canon and creates innovative and inclusive forms of culture and media.

Newsome was born in 1979 in New Orleans, Louisiana, where he received a BFA in Art History at Tulane University in 2001. In 2004, he received a certificate of study in Digital Post Production from Film/Video Arts Inc. and studied MAX/MSP Programming at Harvestworks Digital Media Art Center. He has exhibited and performed extensively in galleries, museums, institutions, and festivals, including the Studio Museum in Harlem, New York, the Whitney Museum of American Art, Brooklyn Museum, MoMAPS1, SFMOMA, New Orleans Museum of Art, Centre Georges Pompidou, and The Garage Center for Contemporary Culture, Moscow.

Donor -The Knight Arts + Tech Fellowship is supported by the John S. and James L. Knight Foundation.

This artist page was last updated on: 08.20.2024

A rendering of a CGI robot, pictured from the shoulders up and looking off camera, stands against a blurry green background. The facial features resemble a carved mask, with a stylized mouth and eyes, while the exposed neck reveals various wires and cables inside.

Being by Rashaad Newsome, 2019. Artificial intelligence installation, computer, projector, microphone, and sound system, dimensions variable.

Image courtesy of the artist.

A sculpture of a Black woman lays on the floor, one leg straight up in the air, the other bent back at her side. Her arms are fanned out, head bent back, gold disc eyes closed. In the background, there are three portraits depicting various figures. The floor, walls, and clothing are a cacophony of floral and geometric patterns.

Ansista by Rashaad Newsome, 2019. African mahogany wood, silicone, leather, metal, textile, resin, paint, and Swarovski crystal, 70 × 60 × 10 inches. Installation at the Fort Mason Center For Art And Culture, San Francisco.

Image courtesy the artist.

A photograph of a Black man dramatically lit under a blue spotlight. His gloved right arm is stretched out while his left is stretched back. His head is bent back, bare torso arched, and his legs are cropped at the knees.

Black Magic by Rashaad Newsome, 2019. Live performance, 45 minutes. Performed at New York Live Arts, New York.

Photo by Maria Baranova.