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Sadie Barnette

She // Her // Hers

Visual Artist

California

A headshot of a person seated at a black marble table, awash in an orange glow. She looks at the camera and leans her head in her left hand. She has short curly hair, wears a black leather jacket, and black nail polish.

Photo by Damien Maloney.

I am an artist working with a wide variety of visual outputs, often all at once. I use drawing, photography, installation and text to create a modular structure for marking time, attending to archives and family histories, and processing sensory information.”

Sadie Barnette’s practice is unconfined to a particular medium and often uses a mix of material approaches in tandem or juxtaposition, as if to complicate or undo each other. Her drawings, photographs, and installations collapse time and expand historical possibilities by syncing her own family photos, motifs of outdated technologies, text, mundane cityscapes, and glittering abstractions into a visual vocabulary.

Barnette was born and raised in Oakland and holds a BFA from CalArts and an MFA from UC San Diego. She has presented solo exhibitions at venues such as The Kitchen in New York City, ICA Los Angeles, SFMoMA, and Walker Art Center. Her work is in permanent collections at institutions such as the Brooklyn Museum, Guggenheim, LACMA, Metropolitan Museum of Art, Oakland Museum, Studio Museum in Harlem, The Walker, and the Whitney Museum of American Art.

Barnette is the recipient of grants and residencies including the Studio Museum in Harlem, Artadia, Art Matters, Eureka Fellowship, Skowhegan School of Painting and Sculpture, and the Headlands Center for the Arts, and was an Artist Fellow at UC Berkeley’s Black Studies Collaboratory. A permanent, site-specific installation at the Los Angeles International Airport is forthcoming.

Donor -This award was generously supported by Todd and Betiana Simon.

This artist page was last updated on: 01.30.2025

A collection of images; photos, texts, and illustrations in white frames, hung salon style above an iridescent silver couch. The images all differ, but have been neatly organized by color to resemble a rainbow.

Family Tree II by Sadie Barnette, 2022. Installation view of Inheritance. Whitney Museum of American Art, New York.

Photo by Ron Amstutz.

A brown spotted banana peel lays on top of an image of enormous rhinestone gems

Banana, Gems by Sadie Barnette, 2024. Inkjet print.

Photo courtesy of the artist.

Rainbow text echoes across the bottom right corner of a blank page reading “more alive.”

More Alive (rainbow) by Sadie Barnette, 2024. Colored pencil on paper.

Photo by Phillip Maisel, courtesy of Jessica Silverman gallery.