Skip to main content

Header Navigation

Artists

Sherrill Roland

He // Him // His

Multidisciplinary Artist

Durham, North Carolina

A Black man in a white long-sleeved shirt sits at a desk in an office space with a cityscape visible through the large glass window behind him.

Photo courtesy of the artist.

Sherrill Roland was born in 1984 in Asheville, North Carolina. He studied at the Skowhegan School of Painting and Sculpture (2018) and earned an MFA and BFA from the University of North Carolina at Greensboro (2017 and 2009). He currently lives in Durham, North Carolina, and is a tenure-track sculpture professor at The University of North Carolina at Chapel Hill. 

Roland held concurrent solo exhibitions at the Nasher Museum of Art at Duke University and the Ackland Museum of Art at the University of North Carolina at Chapel Hill (2023–2024). He has also had solo exhibitions at the Asheville Art Museum (2022–2023); Tanya Bonakdar Gallery, New York and Los Angeles (2021 and 2023); Southeastern Center for Contemporary Art (SECCA), Winston-Salem, NC (2022); Shirley Fiterman Art Center, Borough of Manhattan Community College, New York (2019); Maria & Alberto de la Cruz Gallery, Georgetown University, Washington, DC (2019); and Brooklyn’s Central Public Library (2017), among others. 

Roland is a Duke Artistic Research Initiative Fellow (2024) and was a Smithsonian Research Artist Fellowship (2023). He received the Society 1858 Prize for Contemporary Southern Art at the Gibbes Museum of Art (2023); a Creative Capital Award (2021), the South Arts Southern Grand Prize & State Fellowship (2020), and was an Art for Justice Grantee (2020) among other awards and recognitions. He has held fellowships at the Wake County District Attorney's Office and residencies at Fountainhead, Miami; Duke University, Durham, NC; and Otis College of Art and Design, Los Angeles, CA, among others.

Donor -This award was generously supported by Thomas S. Kenan Institute for the Arts.

This artist page was last updated on: 01.30.2025

An installation shot in a white gallery space. To the right are three sculptures, each resembling a conjoined floor fan. To the left are two diptychs made of colorful dots.

Installation view of do without do within exhibition by Sherrill Roland. Tanya Bonakdar Gallery, Los Angeles.

Photo by Jeff McLane.

A long rectangular display case with intimate-sized plexiglass sculptures laid flat on their white pedestal. The geometric abstract shapes resemble pixelated letters found in the English Alphabet. The top of the plexiglass is outlined in different bright colors.

Installation view of Processing Systems exhibition by Sherrill Roland. Nasher Museum, Durham, North Carolina.

Photo by Dr. J Caldwell.

An installation shot in a white gallery space. Most of the room is filled with two plexiglass cubes with metallic supports. Inside one cube is a small basketball hoop and in the other sits three garbage bags.

Installation view of Hindsight Bias exhibition by Sherrill Roland. Tanya Bonakdar Gallery, New York.

Photo by Myungwon Kim.