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Two young white men, Lee and Nicolas, smile in front of a blurry background resembling hay. Lee has wavy brown hair and wears a navy blue shirt and necklace, and Nicolas wears a black turtleneck, red beanie, and a septum piercing.
Artists

The Institute of Queer Ecology

Lee Pivnik: He // Him // His
Nicolas Baird: He // Him // His

Collaborative Organism

Miami, Florida and New York, New York

Our collaboration often feels like a masterclass in saying yes: as it develops, the interests and skills we bring to each project change. Weaving it all together is a huge part of the joy of IQECO.”

The Institute of Queer Ecology (IQECO) is an ever-evolving collaborative organism that seeks to bring peripheral solutions to environmental degradation to the forefront of public consciousness. IQECO projects are interdisciplinary but unified and grounded in the theoretical framework of queer ecology, an adaptive practice concerned with interconnectivity, intimacy, and multispecies relationality. The collective works to overturn the destructive human-centric hierarchies by imagining an equitable, multispecies future. IQECO was founded in 2017 by Lee Pivnik while he was studying at the Rhode Island School of Design and is co-directed by artist and evolutionary biologist Nicolas Baird, who joined the project shortly after its inception and has continued to steer its growth and focus.

The idea of mimicry lies at the heart of IQECO’s vibrant identity — mimicry as an act of survival, manifested in the behavior of many species and distinctly connected to the history of queer communities. IQECO presents as an institute in an act of mimicry and infiltration, reintegrating queerness into scientific discourse and bringing artists to the table of environmental decision making. To date, IQECO has worked with over 125 different artists to present interdisciplinary programming that oscillates between curating programs and directly producing artworks, presenting projects with the Guggenheim Museum, ICA Miami, Julia Stoschek Collection, Medellín Museum of Modern Art, Prairie, Bas Fisher Invitational, and Gas Gallery.

Donor -The Knight Arts + Tech Fellowship is supported by the John S. and James L. Knight Foundation.

This artist page was last updated on: 07.31.2024

A digital rendering of a violet, spirit-like figure, wearing a lavender jumpsuit and having a cloud of smoke in place of a head, stands amidst a sci-fi environment within a large geodesic dome. Also inside the dome is a large tree, a blue tunnel, and two more figures running across the land.

H.O.R.I.Z.O.N. (Habitat One: Regenerative Interactive Zone of Nurture) by the Institute of Queer Ecology, 2021. Video game, infinite duration. Commissioned by the Solomon R. Guggenheim Museum.

A digital 3D rendering of a butterfly, upside down and emerging from its cocoon on a green vine, in front of an expanse of cloud-covered sky at dusk.

Metamorphosis (video still) by the Institute of Queer Ecology, 2020. Video, 45 minutes.

A small box truck sits parked in an outdoor lot, next to a cinderblock wall and two small trees. The truck's door has been rolled up, revealing a bright lavender interior filled with various small artworks on the walls and on a pedestal inside.

Installation view of Common Survival, curated by the Institute of Queer Ecology, 2019. Multi-format publication and exhibition. Installed at Gas Gallery, Los Angeles.

Photo by Andy Bennett and Colleen Hargaden; courtesy of Gas Gallery.