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Announcing the 2026 Wagner Arts Fellows

Three Boston artists, Tomashi Jackson, Lucy Kim, and Yu-Wen Wu, receive unrestricted grants supporting socially engaged and culturally innovative practices

Reigning Beauty is a digital collage of cascading flora– violets, nasturtiums, hydrangeas, ferns–burst against a stormy sky. It is composed of collected drawings, watercolor paintings, and photographs. The colorful flora fall downwards against a varying gray background.

Reigning Beauty by Yu-Wen Wu, 2025. UV ink on polyvinyl, 16 × 36 feet.

Photo courtesy of the artist.

Author -USA Staff Date -03.24.2026

Wagner Foundation, a Cambridge, MA-based foundation committed to investing in health equity, economic wellbeing, and the transformative power of art and culture, is pleased to announce the second cohort of the Wagner Arts Fellowship — an annual initiative designed to further advance the burgeoning arts community in the Greater Boston region. This year’s class is made up of three artists, Tomashi Jackson, Lucy Kim, and Yu-Wen Wu, who are each awarded $75,000 in unrestricted grants along with tailored professional services to support and deepen the impact of their individual practices.

Launched in 2025, the Wagner Arts Fellowship supports mid-career to established visual artists in the Greater Boston area who are deeply embedded in their communities and at a pivotal point in their artistic development. Committed to building healthier communities by advancing economic prosperity, health equity, and the arts and culture landscape, Wagner Foundation established this initiative in celebration of the transformative potential of Boston artists to inspire social change both locally and beyond.

Administered by United States Artists, the Fellowship not only offers unrestricted financial support but also specialized resources and career development opportunities designed to help artists expand the impact of their work. These resources include financial planning, career consulting, legal services, and more to directly address each Fellow’s diverse set of needs.

  • Two mixed media works are hung on the wall. Each are comprised of sheets of linen hung on pieces of wood. The painting combines two images in painted interwoven strips of people gathered in a Boston South End club line dancing together at a celebration and a still of CCTV footage of LAPD officers laughing as an elder Black man in their custody in medical distress dies from asphyxiation. Visually, the works feature strong diagonal lines and swaths of bright pink, blue, and orange.

    Could I Be The One? (Community Members Do the Electric Slide 2023 and LAPD Officer Juan Romero and Others Laughing 2012) I and II by Tomashi Jackson, 2024. Acrylic, Yule quarry marble dust paste, and Los Angeles palm frond ash paste on linen and canvas with wood, 60.25 × 53 inches.

    Photo courtesy of Tilton Gallery.

  • Acrylic, stained white paper bags on raw canvas, white canvas, and corduroy with PVC marine vinyl on handcrafted wood awning structure with brass hooks and grommets. The work featured geometric lines with areas of green, yellow, pink, and brown color. On the right side, a person is seen in the foreground, looking to the left. In the far left, another figure is seen looking in a similar direction.

    Detail of The Talking Drum (Drummer singing and playing in Notting Hill 1976/Audience at Clumb Alabam Central Avenue Los Angeles, 1953) by Tomashi Jackson, 2024. Acrylic, stained white paper bags on raw canvas, white canvas, and corduroy with PVC marine vinyl on handcrafted wood awning structure with brass hooks and grommets, 85 × 69 × 7 inches.

    Photo courtesy of Pilar Corrias Gallery.

  • Acrylic, Yule quarry marble dust paste, and paper bags on black canvas with brass hooks and grommets on a handcrafted wood awning structure. This painting combines an image women playing double dutch and another of two friends embracing. Sections of the work feature yellow, orange, pink, and white blocks of color overlaid on top of the images.

    Get On Up (Women Double Dutching/Two Friends Embracing) by Tomashi Jackson, 2024. Acrylic, Yule quarry marble dust paste, and paper bags on black canvas with brass hooks and grommets on a handcrafted wood awning structure, 62.5 × 97 × 9 inches.

    Photo courtesy of Night Gallery.

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“We are proud to continue investing in Boston’s ever-evolving creative community and to highlight the artists whose creative practices meaningfully shape the cultural legacy of this city,” said Charlotte Wagner, Founder and President of Wagner Foundation. “In the second cycle of this initiative, we remain committed to amplifying artists’ contributions and sustaining the ecosystems that allow art to thrive, underscoring the essential role artists play in Boston and within the broader national cultural landscape.”

This year’s Fellowship class exemplifies the collaborative and civic spirit of Boston’s evolving arts scene and underscores the significant role artists play in shaping community and public life. From translating research and material experimentation into collective public discourse to working as educators and advocates for social equity and historical preservation, each fellow and their distinct practice offer insight into how Boston’s artists and their communities support one another and navigate changing social and creative realities.

  • Various shades of bacterial melanin create broad strokes on layered sheets of paper hung on a wall. Aluminum hardware holds the sheets up at the top, allowing the bottom of each sheet of paper to hang freely.

    Tagged Vanilla Pods by Lucy Kim, 2024. Bacterial melanin on paper, aluminum hardware, 61.5 × 79 inches.

    Photo by Jueqian Fang.

  • Oil painting on cast surface of corn kernels. Upon closer examination, the individual shapes of corn kernels in varying shades of green, with red dots on the inside of each, can be seen. The right side of the painting seems to orient the kernels vertically, while the left side orients them horizontally. Visually from afar, the painting has a blurred ghostly effect.

    Place. (Green/Red) by Lucy Kim, 2025. Oil paint, acrylic paint, urethane resin, fiberglass, epoxy, 20 × 30 inches.

    Photo by Julia Featheringill.

  • In the center of the room sits a wooden bench. Along each side wall are works from Lucy Kim. Each work is composed of smaller sheets of paper and aluminum respectively, layered to form a larger sheet of paper and aluminum. In the center back wall, a print is showcased: visually it looks like large strokes of ink mark the paper.

    Installation view of Lucy Kim: Mutant Optics at Henry Art Gallery, University of Washington, Seattle, 2024. Bacterial melanin on paper, aluminum hardware, dimensions variable.

    Photo by Jueqian Fang.

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“Tomashi, Lucy, and Yu-Wen are formidable artists in their own rights, each working to strengthen and expand Greater Boston’s art community,” said Abigail Satinsky, Wagner Foundation Senior Program Officer and Curator of Arts & Culture. “Their practices are grounded in ingenuity, collaboration, and social engagement, which truly reflect the spirit of Boston. We are proud to continuously support artists whose work addresses societal issues and deepens our collective understanding of social change, which we believe is instrumental to our society’s collective health and well-being.”

  • In an exhibition setting, three works are visible. On the far right wall, small sculptures are arranged in a large rectangle. Towards the left, eight strands of circular, red porcelain pieces hang from the ceiling and pool on an elevated platform. On the far left and center back, various objects with cultural resonance—tea, gold, lotus leaves, etc.—are arranged along the wall. On the back center wall also features a video projection.

    Installation view of ICA Foster Prize exhibition by Yu-Wen Wu, 2023-2024. Mixed media, 5-minute HD video, dimensions variable.

    Photo by Mel Taing.

  • The image features lit lanterns around dusk. Each lantern has intricate patterning, archival photos, and text incorporated.

    Lantern Stories by Yu-Wen Wu, 2022. Mixed media, approx. 48 × 36 × 30 inches; installation dimensions variable.

    Photo courtesy of the artist.

  • Reigning Beauty is a digital collage of cascading flora– violets, nasturtiums, hydrangeas, ferns–burst against a stormy sky. It is composed of collected drawings, watercolor paintings, and photographs. The colorful flora fall downwards against a varying gray background.

    Reigning Beauty by Yu-Wen Wu, 2025. UV ink on polyvinyl, 16 × 36 feet.

    Photo courtesy of the artist.

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In addition to unrestricted grants and tailored artist services, Fellows will also present their work in a group exhibition at the Wagner Gallery, the Foundation’s rotating exhibition space for contemporary art, on view in August through December 2026. Future cohorts of the Wagner Arts Fellowship will also be invited to showcase their work at the Gallery, providing further institutional support and expanding public engagement with the Fellow’s work. More information on the exhibition will be announced soon.

Wagner Arts Fellows are selected based on their demonstrated artistic vision, contributions to the advancement of their respective fields, dedication to the Greater Boston area, and engagement with social issues and civic impact. Artists are anonymously nominated by peers with strong connections to Boston’s arts community. Selected nominees are invited to apply, and a panel of leading arts professionals selects finalists, with final approval from Wagner Foundation. This year’s jurors included: David Antonio Cruz, Artist & Professor, Joseph Zeal-Henry, Spatial Designer & Urbanist, Director of Cultural Planning, City of Boston & Assistant Professor of Architecture, Columbia GSAPP, Dina Deitsch, Director and Chief Curator at Tufts University Art Galleries, and Lu Zhang, Executive Director of A Blade of Grass.

About the Wagner Arts Fellowship

The Wagner Arts Fellowship, founded and supported by Wagner Foundation and administered by United States Artists (USA), recognizes mid-career to established visual artists working in Greater Boston who have a studio and/or public practice that illuminates issues confronting society and transforms our understanding of social change. The fellowship annually awards three artists at a pivotal moment in their artistic trajectory with unrestricted grants of $75,000 each, as well as access to supplemental artist services.

About Wagner Foundation and Wagner Gallery

For more than two decades, Wagner Foundation has been committed to building healthier communities by investing in and accompanying organizations dedicated to health equity, economic wellbeing, and the transformative power of art and culture. Together with partners in the US and around the world, Wagner Foundation celebrates our shared humanity and strives for long-term solutions to some of our most complex global challenges.

Wagner Foundation believes that art and artists are essential to healthy communities. Through their Art & Culture program, they center artists as catalysts of change and community development through local and national investments in contemporary visual art exhibitions, publications, public art, and visual arts organizations at all scales. Wagner Foundation distributes more than 40 arts & culture focused grants annually. A highlight is the prestigious Wagner Arts Fellowship, the largest Boston-focused artist award that recognizes three mid-career to established Greater Boston visual artists, whose work illuminates societal challenges and transforms our understanding of social change.

Also housed within Wagner Foundation, Wagner Gallery is a dynamic exhibition space that showcases contemporary art to foster relationships, dialogue, and creative exploration, where artists can experiment and deepen their practices. Wagner Gallery commissions new artworks, showcases exhibitions at their dedicated gallery, and supports those exhibitions to travel.